There are a couple of local musicians I need to talk to to arrange a recording session. Right now I have four demos of four different songs, but I want to record new versions for a few reasons. In a couple of cases this is because of some rewriting.
But another issue that I've become aware of is making tracks available for use in independent movies. I have a friend who used to act, and has some knowledge of the world of independent film. She says that one of the hardest things for filmmakers is finding music to use in their movies. If I can provide them with completed tracks that they can just plop down into the film then I'm golden. I'd like to have that possibility open to me.
The songs in question (listed in alphabetical order by title):
Do You Think of Me (Now and Again)
I have a great demo that was made by Wreckless Eric and Amy Rigby. It's definitely my favorite demo. But I am not sure that I can just tell independent filmmakers that they can use it in their projects. I emailed Eric and Amy to ask if I can allow such use (assuming the opportunity arises), and they responded that that would depend on the terms of the agreement. I think I need a new version that I can provide more readilly.
Five Missing One
The demo I have was recorded by HP Mendoza and me a little more than a year ago. I like the recording, but I think there might be complications in making it availabale. Which is probably just as well, since the recording that HP and I did is somewhat rough, and I rewrote one of the lines since then.
Jackpot
I have a great demo, courtesy of the fine folks at County Q studios in Nashville. But at the time they made it, I was told that it could not be used for commercial purposes. Something to do with the pay provided the musicians. I don't know all the ins and outs, but it was clear to me that this can't be put in a film. Too bad.
Music No One Else Can Hear
I like the chorus and the bridge, but I have grown to not like the verses. So I have been rewriting it. I converted the chorus to a verse and chorus, and have written two more verses to go with it. Then I modified the bridge to with the "new" song. It still needs a little polishing on the melody. And I have to work a little on piecing it back together. But what I have now is, essentially a new song. In a way, this change is bringing it full circle, since the chorus (turned verse/chorus combination) was originally a verse and chorus in the first iteration of this song. When Matthew and I rewrote it 20 years ago, we converted the verse and chorus into a chorus and went from there.
The musicians I'll be working with include Charlie Shaw (who was my daughter's guitar teacher for a brief time last fall, and who plays drums for The Wicked Messengers. He said I should call him and arrange a sit-down with him and Alan Lee Backer, the lead vocalist and guitarist for the Wicked Messengers.I've blogged about him before. The idea is that I can discuss with them, and play what I have. Then, based on what Alan thinks make sense we can arrange a recording session (in his home studio) involving other musicians. I am hoping that it won'tr be terribly expensive, and I will make clear that I want to be able to allow use of the recordings in independant films. That should all be workable.
I also have a few other songs I am working on. Maybe I can discuss with them at that time. They may be able to advise as to which ideas seem the most promising. And if it comes up I'd certainly be amenable to cowriting.
Showing posts with label Alan Lee Backer. Show all posts
Showing posts with label Alan Lee Backer. Show all posts
Sunday, March 9, 2014
Saturday, November 30, 2013
a weekend, two shows and some inspiration
I saw two shows this weekend.
Wreckless Eric and Amy Rigby performed at a place in New Jersey called the Art Garage. At this point, having seen and blogged about a bunch of Eric'n'Amy shows, there's not a whole lot else to say. The set list was a variation on what I've seen before, though this time they did include "Someone Must Have Nailed Us Together" and "Young, Upwardly Mobile and Stupid" from Eric's days in The Len Bright Combo. I chatted with them before and after the show as well as during the brief intermission. We talked a bit about the experience recording with them. I really need to post a followup since I got the final recording of "Do You Think of Me (Now and Again)" about two and a half months ago. I also bought one of Eric's small paintings. "Guitar Player #9," which is apparently part of a series. See the picture accompanying this post. Something about it caught me. Eric told me not to frame it. He said that it's supposed to have a wire loop attached, and if I bring it to their house concert in January he'll attache the loop. Meanwhile I kind of like the idea of setting it on a small easel.
Yesterday ecvening I went to see the Wicked Messengers play at Hill Country, which is a barbecue restaurant in Manhattan. Alan Lee Backer, who is the leader of the Wicked Messengers (I hope I'm not getting in trouble for saying that. I don't know their internal band politics, and for all I know they never declared him the leader, but he appears to be the leader) is a favorite of mine. He was the author of The Twanglers' "Two Hearts (Tender, Lovin' and True)," which was a single on Diesel Only Records in the 1980s. And their drummer, Charlie Shaw (formerly of The Five Chinese Brothers) is my daughter's guitar teacher. That wasn't a show I had planned on going to. Or even known about long in advance. In the afternoon I texted Charlie about scheduling my daughter's next guitar lesson. Then, in the evening he texted something along the lines of "I should have told you earlier, but we're playing at Hill Country from 9:30 to midnight tonight. My wife, knowing I really wanted to go, encouraged me to. So we finished our errands, and I took the subway in. I was late -- I got there at ten But they played until 1 AM. So I got in a three hour show (as well as some barbecue and nearly half a dozen Mexican Cokes). I keep wanting to think of the Messengers as a Country band, and certainly there's a lot of country in their repertoire, but they're also a damn good rock and roll bar band.
What I find interesting is that I often have songwriting inspirations while watching shows. And at both of these shows I had some. A couple ideas for song titles -- which may or may not turn into songs. And some good thoughts about how to work through some blocks I've hit on songs I'm in the process of writing. There's one in particular. Without going into detail, I've been trying for several years to write a psychobilly song called "Bleed Me a River." There have been some places I've gotten stuck, but I think I may have gotten unstuck. In the morning I'll try to think it through.
And, yes, I did say that I've been working on it for years. That's the way it always is for my songwriting. From first inspiration to finished song is always a matter of years. Partly because I lack training and partly because I don't really have a lot of time to devote to it. Between my day job (which does require more than 40 hours in a typical week) and having a family with three kids, I just can't be a full-time songwriter. So I get ideas. And I may jot down a title or a line. And I ruminate. I may be on the subway doing number puzzles. Or I may be driving. Or shopping. Or sitting at the dentist's office. But I'm thinking about a song. And sometimes I'll have an epiphany that leads to progress. And sometimes something will emerge finished.
Yesterday ecvening I went to see the Wicked Messengers play at Hill Country, which is a barbecue restaurant in Manhattan. Alan Lee Backer, who is the leader of the Wicked Messengers (I hope I'm not getting in trouble for saying that. I don't know their internal band politics, and for all I know they never declared him the leader, but he appears to be the leader) is a favorite of mine. He was the author of The Twanglers' "Two Hearts (Tender, Lovin' and True)," which was a single on Diesel Only Records in the 1980s. And their drummer, Charlie Shaw (formerly of The Five Chinese Brothers) is my daughter's guitar teacher. That wasn't a show I had planned on going to. Or even known about long in advance. In the afternoon I texted Charlie about scheduling my daughter's next guitar lesson. Then, in the evening he texted something along the lines of "I should have told you earlier, but we're playing at Hill Country from 9:30 to midnight tonight. My wife, knowing I really wanted to go, encouraged me to. So we finished our errands, and I took the subway in. I was late -- I got there at ten But they played until 1 AM. So I got in a three hour show (as well as some barbecue and nearly half a dozen Mexican Cokes). I keep wanting to think of the Messengers as a Country band, and certainly there's a lot of country in their repertoire, but they're also a damn good rock and roll bar band.
What I find interesting is that I often have songwriting inspirations while watching shows. And at both of these shows I had some. A couple ideas for song titles -- which may or may not turn into songs. And some good thoughts about how to work through some blocks I've hit on songs I'm in the process of writing. There's one in particular. Without going into detail, I've been trying for several years to write a psychobilly song called "Bleed Me a River." There have been some places I've gotten stuck, but I think I may have gotten unstuck. In the morning I'll try to think it through.
And, yes, I did say that I've been working on it for years. That's the way it always is for my songwriting. From first inspiration to finished song is always a matter of years. Partly because I lack training and partly because I don't really have a lot of time to devote to it. Between my day job (which does require more than 40 hours in a typical week) and having a family with three kids, I just can't be a full-time songwriter. So I get ideas. And I may jot down a title or a line. And I ruminate. I may be on the subway doing number puzzles. Or I may be driving. Or shopping. Or sitting at the dentist's office. But I'm thinking about a song. And sometimes I'll have an epiphany that leads to progress. And sometimes something will emerge finished.
Saturday, April 13, 2013
a (probably) overlong story of how i came to hear of bobtown
"Alan Lee Backer is playing on Long island Friday night." I was trying to prepare a presentation for work. My wife was checking into activities for the kids, when the email came in on her computer. And that comment was what led to my seeing Bobtown yesterday (see yesterday's post). For I am an Alan Lee Backer fan.
Some (OK, a ton of) background: in college -- actually, I don't remember if it was college or the years shortly thereafter -- I saw the Beat Farmers play at the Lonestar Roadhouse. The Lonestar was a C&W bar /restaurant / venue on 57th Street in Manhattan. It's no longer around. Anyway, I was one of the few people who came around early enough to catch the opening act -- a local country-flavored band called Five Chinese Brothers. They gave me a copy of their single, "Baltimore," which was out on Diesel Only Records. Diesel Only specialized in New York country-flavored singles. Often it was truck driving music. They also provided me some of my earliest experiences with alt-rock. Influenced by the Five Chinese Brothers's single, I eventually bought a copy of each of the brand's singles that were still available. Actually I bought two copies of each -- my Christmas present tro Desmond that year was one copy. One of my favorites was "Two Hearts (Tender Lovin' and True)" by the Twanglers. I wish I could find a Youtube video of it, but I can't. FWIW, here's a video of the Twanglers live doing "My Babe:"
I loved "Two Hearts," but that single (and the song's appearance on Diesel Only's compilation, Rig Rock Jukebox, was all I had of the Twanglers. I bought the three Five Chinese Brother albums as they came out. Those were the days when I still bought a lot of albums. I had a job and no kids. Money flowed freer then. From the liner notes I could see the names of the brothers. One of them had even played in a band with a guy I was freinds with in college. Small world. Anyway, the Twanglers never did an album. So I loved the track, but never knew names or anything. One of the names that I didn't know was Alan Backer.
Nearly twenty years later, I was with the family at the Long Island Children's Museum. We were there for a performance by Ken Waldman, Alaska's fiddlin' poet. I should write a post about him. No promises. Anyway, he recites his freeform poetry while playing the fiddle. On this occasion, he had a drummer backing him up. I recognized the drummer. I was sure opf it. But I couldn't quite tell from where. At the end of the show, Ken thanked him by name. It was Charlie Shaw. I knew that name. From somewhere. But I couldn't place it. So I approached him and asked if he had been in any New York area bands that I might have seen him in. Among the many names he reeld off was Five Chinese Brothers. I responded by reciting lyrics from "Baltimore." So we talked music for a while. I mentioned other bands that I liked from Diesel Only. Including the Twanglers. He mentioned that he's in a new band called The Wicked Messengers with a couple of the guys from The Twanglers. Really? So I got the information.
Some time later I went to see them play at Hill Country, a Texas-style barbecue restaurant in Manhattan. I surprised Alan Backer before the show by asking him to autograph my copy of the Twanglers' single. I mentioned that it was one of my favorite songs. I later learned that he wrote it, so I must have sounded like I was just buttering him up, but I was being honest. It was great show. I saw the Messengers play a couple of other times -- they do a great show. But between work and family commitments, I don't get out to see them as much as I'd like. They do a karaoke show at Hill Country on Tuesdays, and I hear that's a great show. It's sort of like karaoke, except instead of having pre-recorded music, you have a live band behind you. Here's a video of someone doing Billy Joel's "You May Be Right:"
It's difficult for me to work that in. I should make a point of picking a Tuesday and going. Come hell or high water.
Anyway, As I posted yesterday, I almost didbn't make it to see Bobtown. But I'm glad I did. And Alan even gave me a copy of the Wicked Messengers' second album, Livin' Fast
Anyway, I leave you with Bobtown doing "Hell and Gone." I admit that I can't tell if this is the version from before Alan became a member.
Some (OK, a ton of) background: in college -- actually, I don't remember if it was college or the years shortly thereafter -- I saw the Beat Farmers play at the Lonestar Roadhouse. The Lonestar was a C&W bar /restaurant / venue on 57th Street in Manhattan. It's no longer around. Anyway, I was one of the few people who came around early enough to catch the opening act -- a local country-flavored band called Five Chinese Brothers. They gave me a copy of their single, "Baltimore," which was out on Diesel Only Records. Diesel Only specialized in New York country-flavored singles. Often it was truck driving music. They also provided me some of my earliest experiences with alt-rock. Influenced by the Five Chinese Brothers's single, I eventually bought a copy of each of the brand's singles that were still available. Actually I bought two copies of each -- my Christmas present tro Desmond that year was one copy. One of my favorites was "Two Hearts (Tender Lovin' and True)" by the Twanglers. I wish I could find a Youtube video of it, but I can't. FWIW, here's a video of the Twanglers live doing "My Babe:"
Nearly twenty years later, I was with the family at the Long Island Children's Museum. We were there for a performance by Ken Waldman, Alaska's fiddlin' poet. I should write a post about him. No promises. Anyway, he recites his freeform poetry while playing the fiddle. On this occasion, he had a drummer backing him up. I recognized the drummer. I was sure opf it. But I couldn't quite tell from where. At the end of the show, Ken thanked him by name. It was Charlie Shaw. I knew that name. From somewhere. But I couldn't place it. So I approached him and asked if he had been in any New York area bands that I might have seen him in. Among the many names he reeld off was Five Chinese Brothers. I responded by reciting lyrics from "Baltimore." So we talked music for a while. I mentioned other bands that I liked from Diesel Only. Including the Twanglers. He mentioned that he's in a new band called The Wicked Messengers with a couple of the guys from The Twanglers. Really? So I got the information.
Some time later I went to see them play at Hill Country, a Texas-style barbecue restaurant in Manhattan. I surprised Alan Backer before the show by asking him to autograph my copy of the Twanglers' single. I mentioned that it was one of my favorite songs. I later learned that he wrote it, so I must have sounded like I was just buttering him up, but I was being honest. It was great show. I saw the Messengers play a couple of other times -- they do a great show. But between work and family commitments, I don't get out to see them as much as I'd like. They do a karaoke show at Hill Country on Tuesdays, and I hear that's a great show. It's sort of like karaoke, except instead of having pre-recorded music, you have a live band behind you. Here's a video of someone doing Billy Joel's "You May Be Right:"
Anyway, As I posted yesterday, I almost didbn't make it to see Bobtown. But I'm glad I did. And Alan even gave me a copy of the Wicked Messengers' second album, Livin' Fast
Anyway, I leave you with Bobtown doing "Hell and Gone." I admit that I can't tell if this is the version from before Alan became a member.
Sunday, January 22, 2012
harold allen -- urban country singer
The other day I was in the subway at Grand Central, and saw a musician whom I'd seen before. Harold Allen is a country singer from the Midwest.
I remember the first time I saw Allen, (a couple years ago?) he was playing in the same spot. I liked his music enough that I wanted to buy his CDs. But I didn't have cash with me, and figured I'd try to catch him on my way back about an hour later (after hitting an ATM). On my way back, he wasn't there. Oh well. Some time later, about a year ago, I saw him again But this time I had cash so I bought both of the CDs -- re-Deuced and Country Love -- that he was selling. These were good country albums. You can hear a lot of his music at his website (linked above).
One of my favorite tracks, from Country Love, is "Jack Daniels," an infectiously energetic drinking song. Allen also displays some humor in this -- about two minutes in, he breaks the fourth wall and speaks to the listener explaining that the song is still missing a few of the five ingredients necessary for the perfect country song (mama, trains, trucks, prisons and getting drunk) so he added the next verse to complete it:
Other choice tracks, from re-Deuced, are "I Do" and "Payin' Dues." My favorite, though, is "What I Need," which is what call a meta-country song -- a country song about listening to country songs.
As I was saying, I saw Allen again a few days ago, playing in the same place. This time, though, he had another CD for sale. This one is a live album, Live from Arlene's Grocery. (Arlene's Grocery is a music club on the Lower East Side. Here, Allen is backed by a full band, performing songs from his past two other albums as well as a few others. The sound is clear and the band is tight. This is a worthy live set. At one point between songs, Allen talks about writing songs for his nieces, which is why I am guessing that "My Biggest Fan" is about a niece and not a daughter. (Harold, if you're reading this and I am wrong, please feel free to let me know).
In one of those "small world" moments, I noticed after I left that one of the musicians backing him in the show was Alan Lee Backer, a musician who has been in a couple of bands that I've liked. I'll try to blog about that at some point in the future. There are a couple of other "small world" moments in that story.
Following are a few videos of Harold Allen. Enjoy:
I remember the first time I saw Allen, (a couple years ago?) he was playing in the same spot. I liked his music enough that I wanted to buy his CDs. But I didn't have cash with me, and figured I'd try to catch him on my way back about an hour later (after hitting an ATM). On my way back, he wasn't there. Oh well. Some time later, about a year ago, I saw him again But this time I had cash so I bought both of the CDs -- re-Deuced and Country Love -- that he was selling. These were good country albums. You can hear a lot of his music at his website (linked above).
One of my favorite tracks, from Country Love, is "Jack Daniels," an infectiously energetic drinking song. Allen also displays some humor in this -- about two minutes in, he breaks the fourth wall and speaks to the listener explaining that the song is still missing a few of the five ingredients necessary for the perfect country song (mama, trains, trucks, prisons and getting drunk) so he added the next verse to complete it:
I'm gonna jump on that northbound trainAnother great track is "My Biggest Fan," a reminder of what's really important in life. It's about a little girl (at first listen one would think she's a daughter, but for reasons I will mention below I believe she's a niece) who listens to his music and dances to it. This always gets me, partly because it reminds me of my own daughter; it's an amazing feeling to walk by her room, see her coloring or playing a game or something and hear her singing one of the songs I wrote. The key phrase is:
And go see mama locked up in Sing Sing.
If I can stumble through the pouring rain,
Jack Daniels take me away.
I may never sail the oceansBut "My Biggest Fan" notwithstanding, I generally prefer the fast songs to the slow. That is, of course, on par with my general taste in music.
Or ever go out on the road.
But as long as my song's in that little girl's heart
I've got the biggest fan in the world.
Other choice tracks, from re-Deuced, are "I Do" and "Payin' Dues." My favorite, though, is "What I Need," which is what call a meta-country song -- a country song about listening to country songs.
As I was saying, I saw Allen again a few days ago, playing in the same place. This time, though, he had another CD for sale. This one is a live album, Live from Arlene's Grocery. (Arlene's Grocery is a music club on the Lower East Side. Here, Allen is backed by a full band, performing songs from his past two other albums as well as a few others. The sound is clear and the band is tight. This is a worthy live set. At one point between songs, Allen talks about writing songs for his nieces, which is why I am guessing that "My Biggest Fan" is about a niece and not a daughter. (Harold, if you're reading this and I am wrong, please feel free to let me know).
In one of those "small world" moments, I noticed after I left that one of the musicians backing him in the show was Alan Lee Backer, a musician who has been in a couple of bands that I've liked. I'll try to blog about that at some point in the future. There are a couple of other "small world" moments in that story.
Following are a few videos of Harold Allen. Enjoy:
A live performance of "Train Song"
Being interviewed by Cognac Wellerlane. Interview starts at about 6:27
Video for "Your North Star," the song he mentioned (and sang a bit of) in the interview above
A live performance of "Payin' Dues"
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