There are a couple of local musicians I need to talk to to arrange a recording session. Right now I have four demos of four different songs, but I want to record new versions for a few reasons. In a couple of cases this is because of some rewriting.
But another issue that I've become aware of is making tracks available for use in independent movies. I have a friend who used to act, and has some knowledge of the world of independent film. She says that one of the hardest things for filmmakers is finding music to use in their movies. If I can provide them with completed tracks that they can just plop down into the film then I'm golden. I'd like to have that possibility open to me.
The songs in question (listed in alphabetical order by title):
Do You Think of Me (Now and Again)
I have a great demo that was made by Wreckless Eric and Amy Rigby. It's definitely my favorite demo. But I am not sure that I can just tell independent filmmakers that they can use it in their projects. I emailed Eric and Amy to ask if I can allow such use (assuming the opportunity arises), and they responded that that would depend on the terms of the agreement. I think I need a new version that I can provide more readilly.
Five Missing One
The demo I have was recorded by HP Mendoza and me a little more than a year ago. I like the recording, but I think there might be complications in making it availabale. Which is probably just as well, since the recording that HP and I did is somewhat rough, and I rewrote one of the lines since then.
I have a great demo, courtesy of the fine folks at County Q studios in Nashville. But at the time they made it, I was told that it could not be used for commercial purposes. Something to do with the pay provided the musicians. I don't know all the ins and outs, but it was clear to me that this can't be put in a film. Too bad.
Music No One Else Can Hear
I like the chorus and the bridge, but I have grown to not like the verses. So I have been rewriting it. I converted the chorus to a verse and chorus, and have written two more verses to go with it. Then I modified the bridge to with the "new" song. It still needs a little polishing on the melody. And I have to work a little on piecing it back together. But what I have now is, essentially a new song. In a way, this change is bringing it full circle, since the chorus (turned verse/chorus combination) was originally a verse and chorus in the first iteration of this song. When Matthew and I rewrote it 20 years ago, we converted the verse and chorus into a chorus and went from there.
The musicians I'll be working with include Charlie Shaw (who was my daughter's guitar teacher for a brief time last fall, and who plays drums for The Wicked Messengers. He said I should call him and arrange a sit-down with him and Alan Lee Backer, the lead vocalist and guitarist for the Wicked Messengers.I've blogged about him before. The idea is that I can discuss with them, and play what I have. Then, based on what Alan thinks make sense we can arrange a recording session (in his home studio) involving other musicians. I am hoping that it won'tr be terribly expensive, and I will make clear that I want to be able to allow use of the recordings in independant films. That should all be workable.
I also have a few other songs I am working on. Maybe I can discuss with them at that time. They may be able to advise as to which ideas seem the most promising. And if it comes up I'd certainly be amenable to cowriting.